the
printed word, hard way
Nowadays,
pampered by all those multiplication technics and enormous book
publishing industries, I look with nostalgia and sorrow at heroic
times in nineteen fifties and sixties in Croatia when the main
printed sources in higher education were so called skripta
- a bunch of pages printed by mimeograph or hectograph, usually on
cheap paper, often with smeared ink, not always bound. As an
illustration, on the right is a scan of a page from the skripta
on Hegel’s philosophy (Critique of Hegel's Philosophy of Right
by Karl Marx); in 1957 I was lucky to get my own copy. All my
thesis, up to Ph.D., were printed by mimeograph.
Mimeograph
(ciklostil in Croatian; the term reflects the rotary motion
of the device) is the stencil duplicator that works by forcing ink
through a stencil onto paper. The image transfer medium is a
flexible waxed or coated sheet backed by stiff card stock. For
text, stencil is prepared by a typewriter (typewriter ribbon
disabled), and a variety of specialized styluses are used to
render illustrations. Once prepared, the stencil is wrapped around
the ink-filled drum of the rotary machine. When a blank sheet of
paper is drawn between the rotating drum and a pressure roller,
ink is forced through the holes on the stencil onto the paper.
Good
drawings are notoriously hard to accomplish by a mimeograph. It’s
easier by a hectograph or jellygraph ( šapirograf
in Croatian, after A. Schapiro, an early successful manufacturer
of the device), a gelatin duplicator which involves transfer of an
original, prepared with special inks, to a pan of gelatin. After
the ink transfer from the master to the gelatin surface, copies
are made by pressing paper against it. In
early nineteen fifties I was editor of the boy scout journal Izviđač
na tragu, which was
primarily printed by ciklostil but included some pages with
illustrations printed by šapirograf.
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